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Market Highlights Cloud database is a database service which can be used in storing and managing files through the cloud. Enterprises can host databases on the cloud without access to hardware. The ability to scale business at a rapid pace using cloud is likely to lead to its adoption by businesses of all sizes. The global Cloud Database Market Growth report compiled by Market Research Future (MRFR) evaluates various growth opportunities and trends amid the COVID-19 pandemic and changes in business models for the period of 2020 to 2027 (forecast period). Market Scope The global cloud database market is expected to reach USD 21.66 billion growing at 46.78% CAGR over the forecast period. The advent of internet of things (IoT) and rise of cloud computing are major drivers of the market. Implementation of cloud databases for improving service, lowering cost, and expediting services can benefit the market. Rise in digitization of data and the move towards cloud by organizations of all sizes can be a golden opportunity for cloud database providers. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/6847 Rise of application development and mass computing can drive the adoption of cloud databases by organizations making it easier for app developers in storing, migrating, and sharing data. The virtual nature of cloud databases allow it to recover from crashes and failures in programs quicker and the disposability nature can drive the market demand in the global cloud database market. It can cover machines and entire data centers. But concerns of data security can impede market growth. Competitive Outlook SAP AG, CenturyLink, CSC (Computer Science Corporation), Salesforce.com Inc., Google Inc., Oracle, Amazon.com, Rackspace Inc., IBM, and Microsoft are key players in the global cloud database market. Segmentation By database, the cloud database market is divided into SQL database and NoSQL database. By model, this market is segmented into service model and deployment model. By service model, the market is further segmented into private cloud, virtual private cloud, public cloud, and hybrid cloud. Deployment model segmentations include infrastructure as a service (IaaS), database as a service (DBaaS), and platform as a service (PaaS). By deployment model, the DBaaS segment can provide security to data with tight surveillance and software upgrades designed to maintain the integrity of data stored in the database. By component, the market is segmented into software and service. By software the market is segmented into database application builder, database encryption, data scaling and replication, backup and recovery, and others. By service, the market is segmented into training and consulting service, system and network integration service, and deployment and maintenance service. By organization size, the market is segmented into large enterprise and small and medium-sized enterprise. By end-user, the market is segmented into academic, BFSI, healthcare, IT and telecom, government, and others. Regional Analysis The regional analysis of cloud database market is considered for North America, Europe, Asia-Pacific, and the rest of the world. Implementation of IoT and increasing adoption of cloud-based services in North American countries such as the US and Canada is expected to dominate the cloud database market during the assessment period. Several investments and research and developments are taking place in the US owing to the increasing need for cloud database by the IT companies. This in turn ensures an enhanced cloud infrastructure coupled with the provision of network security for the cloud database users. Increase in the adoption of security based applications in Asia-Pacific is expected to enhance the cloud database market. Hence, Asia-Pacific is expected to be the fastest growing region in the market during the forecast period. Europe is expected to witness a significant growth in the market owing to the growing need for managed database solutions from the prominent IT companies investing in the European markets. Brows Full Report @ https //www.marketresearchfuture.com/reports/cloud-database-market-6847 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report** B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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このテンプレはポリウト方式で作成されています。 こちらの役名一覧に和訳を記載して管理人までお知らせください。 ERSTES BILD （Bei Paul. Ein kleines Gemach von geringer Tiefe mit alten schweren Möbeln. Der düstere Eindruck langer Unbenütztheit und Unbewohntheit liegt darüber. Die rückwärtige Wand bildet zwei vorspringende Ecken; den Raum zwischen diesen Ecken nehmen drei bis vier zur allgemeinen Auftrittstüre führende Stufen ein, deren oberste so breit ist, daß sie eine Art Podium darstellt. Links (vom Zuschauer) ein in die Wand eingebauter Schrank mit Spiegel. Gestelle mit alten Nippes und Photographien in Rahmen. Auf einem Tischchen eine Glastruhe mit abhebbarem Deckel, in der Art der Glasstürze alter Uhren, darin eine Haarflechte. Links die Türe, die in Mariens Zimme führend zu denken ist. Die linke vorspringende Wand nimmt ein blumenbekränztes, lebensgroßes auf den Boden reichendes Portrait Mariens mit Shawl und Laute ein; davor ein Vorhang (in einer Messingstange, die nur an einem Ende befestigt ist, so daß sie mit dem Vorhang leicht nach vorne zu drehen ist und das Bild sichtbar wird. Blumen auch an Türe und den übrigen Photographierahmen. Breites Fenster rechts nach der Straße mit alten Spitzengardinen. In dessen Nähe ein Fauteuil. In der Ecke (im Vordergrund) Tisch mit Sofagarnitur. Eine Laute an der Wand - Sonniger Spätherbstnachmittag） Erste Szene ▼BRIGITTA▲ （schliesst von außen auf und läßt Frank eintreten） Behutsam! Hier ist alles alt Und gespenstig. （Sie zieht die Gardine hoch. Die Sonne dringt in einem breiten Strahl ins Zimmer） Bis gestern drang keiner In diese Stube außer ihm und mir Die Jahre durch, die er in Brügge lebt. ▼FRANK▲ Und gestern? ▼BRIGITTA▲ Sie sind sein Freund, Her Frank, So seis gesagt. Gestern schien er ganz gewandelt. Er bebte vor Erregung, schluchzt' und lachte. "Türen auf!" so sagte er, "Licht in meinen Tempel! Die Toten stehen auf! ▼FRANK▲ Dies hab' ich nie von ihm gehört. Sonderbar! ▼BRIGITTA▲ Seht, Rosen und Levkojen an den Rahmen （zeigt auf die Türe links） Und an der Türe zu ihrem Zimmer, In dem sie starb. （weist auf das verhängte Bild und dreht den Vorhang zur Seite） Besonders aber dies Bild hat er schön Geschmückt. ▼FRANK▲ Ist sie das? Marie? ▼BRIGITTA▲ Ja, das war sie. In dem hellen, weichen Kleide Das er so liebte. ▼FRANK▲ （betrachtet das Bildnis） Schön! Herrgott! Wie leuchtet dies Haar! ▼BRIGITTA▲ （zeigt auf die Kristalltruhe） Da drunter liegt ein Strähn von diesem Haar. Flüssige Dukaten, nicht wahr? ▼FRANK▲ Er hat es aufbewahrt? Seltsam. ▼BRIGITTA▲ Und hier （mit einer Bewegung über den ganzen Raum hin） Kein Fleck, der nicht von seiner Toten spräche. Er nennt's Kirche des Gewesenen. （Sie hat Frank langsam umhergeführt, der sinnend all die Bilder, Andenken und Reliquien betrachtet.） ▼FRANK▲ So lebt er stets? ▼BRIGITTA▲ Bis gestern immer so. Er sagte "Brügge und ich, wir sind eins. Wir beten Schönstes an Vergangenheit." ▼FRANK▲ Und du, Brigitt? Erträgst Du das? Du, eine Frau? Lockts dich ins Leben nicht hinaus? ▼BRIGITTA▲ Was das Leben ist, weiß ich nicht, Herr Frank, Denn ich bin allein. Hier aber, hier ist Liebe, Herr Frank, das weiß ich. Und wo Liebe, Dort dient eine arme Frau zufrieden. （es schellt draußen） Da ist er! Zweite Szene （Paul tritt ein, nervös von einem Erlebnis erregt） ▼PAUL▲ Frank! Freund! ▼FRANK▲ （lächelnd） Brigitta führte mich in die "Kirche des Gewesenen." ▼PAUL▲ （lebhaft） Des Gewesenen? Nein! （zu Brigitta） Lauf schnell hinab zum Gärtner, Hol' Rosen. Zwei Arme voll! Es soll erglühn hier von roten Rosen. （er hat Brigitta hinausgedrängt. Zu Frank） Du sahst ihr Bild? ▼FRANK▲ Ja, sie war schön, Und viel hast du verloren. ▼PAUL▲ （in das Bild versunken） Marie, Marie, dein Atem, deine Augen! （zu Frank） Wie sagst du? Sie war schön? ▼FRANK▲ Gewiß. ▼PAUL▲ Sie war schön, sagst du? Sie ist schön! Sie ist! Sie ist! ▼FRANK▲ （blickt ihn forschend an） In deiner Phantasie? ▼PAUL▲ Nein, nein, sie lebt! Bald ist sie hier, sie kehrt zurück. O hör ein Märchen, ein Wunder! Du Weißt, das ich in Brügge blieb, um allein zu sein mit meiner Toten. Die tote Frau, die tote Stadt, flossen zu geheimnisvollem Gleichnis. Und täglich schritt ich gleichen Weg, mit ihrem Schatten Arm in Arm, zum Minnewasser, auf die Fläche starrend, ihr teures Bild mit Tränen mir ersehnend, den süßen, sanft in sich gekehrten Blick, den Schimmer ihres goldnen Haars. Und gestern wieder träumt ich am Gitter von der Entschwundenen, von ihr, Marie. Holt mir ihr Antlitz aus der Tiefe, hold und rein, so ganz war sie mir nah, wie einst in den Tagen des Glücks - sehnend, liebend. In meines Schauns Versunkenheit schallen Schritte. Ich horche… ein Schatten gleitet übers Wasser Ich blicke auf; vor mir steht eine Frau im Sonnenlicht. Frank! Frank! Eine Frau. Im Mittagsglast erglänzt Mariens Gold Haar, den Lippen entschwebt Mariens Lächeln. Nicht Ähnlichkeit mehr - nein, ein Wunder, Begnadigung! Es schien sie selbst, sie mein Weib! Ja, mein lebend, mein atmend Weib! Ein Fieber faßte mich nach altem Glück. "Gott", schrie ich, "wenn du mir gnädig bist, gib sie mir zurück!" Und heute Mittag sprach ich sie, bebenden Herzens, zweifelswund und der Wunder größtes Mariens Stimme klang aus ihrem Mund! ▼FRANK▲ Im öden Brügge eine Unbekannte? ▼PAUL▲ Ich weiß nicht, wer sie ist, Lud sie zu mir in meine Einsamkeit. Und sie Kommt, und in ihr kommt Meine Tote, kommt Marie. ▼FRANK▲ （ernst） Hör, Paul, du wagst gefährlich Spiel. Du bist ein Träumer, Bist ein Geisterseher. Ich seh die Dinge, seh die Frauen So wie sie sind. Willst du zum Herrn dich über Tod und Lebe Schwingen? Ein lebend Sein zur Puppe Des Verstorbenen zwingen? Bescheide dich! Zu lang warst du allein, Dein Blut murrt gegen diese Trauer. Seis drum, umarm eine schöne Frau, Doch Tote laß mir schlafen. ▼PAUL▲ （wie einer der nicht zugehört hat, ekstatisch） Ich will den Traum der Wiederkehr vertiefen, Will sie durch diese Türe schreiten, Den Raum durchleuchten sehn, In dem ihr holder Duft noch schwebt, Der Rhythmus ihres süßen Wesens webt. In ihr die kommt, kommt Marie, Kommt meine Tote. ▼FRANK▲ Du schwärmst für ein Phantom! Zu rechter Zeit Hat diese Reise mich zu dir geführt. Mein Freund, dein tief Gefühl Hat dich verwirrt. Dein tief Gefühl muß dich auch heilen. Ich geh, doch bald kehr ich zurück. Das Trugbild weicht, Der Nebel wird sich teilen. （schüttelt Paul mit freundschaftlicher Gebärde die Hand, ihm herzlich ins Auge blickend. Paul begleitet ihn zur Türe.） Dritte Szene ▼PAUL▲ （zum Bilde zurückgehkehrt） Nur deiner harr ich, niemals Verlorne! Wer kann ihn denn verstehen, Unsrer Seelen tief geheimnisvollen Bund? （dreht den Vorhang wieder zurück. Sein Blick fällt auf die Haarreliquie; er hebt inbrünstig den Glasschrein hoch, der in voller Sonne funkelt.） Du Überlebendes von ihrer Schönheit, So wirst du wieder hold erstehn? So werd ich wieder Schimmernd auf weißer Stirn Das Goldgelocke leuchten sehn? Vierte Szene （Brigitta tritt ein, auf beiden Armen Blumen） ▼PAUL▲ （stellt rasch den Schrein nieder） Rosen, so ists recht! （er nimmt ihr die Blumen ab, füllt die Vasen, läuft hin und her） ▼BRIGITTA▲ （zögernd） Gnädger Herr, verschleiert, eine Dame. ▼PAUL▲ （fast schreiend） Und du sagst es nicht? Führ sie herein. ▼BRIGITTA▲ （wie protestierend） Herr Paul, bedenken Sie, die Welt… ▼PAUL▲ Wenn du mich liebst, schweig und gehorche! （Brigitta bestürzt ab. Inmitten des Zimmers stehend, die Augen schließend） Marie! Noch einmal saug ich deine Züge, In mich ein. Ich sehe dich… ich fühle dich… Jetzt, Gott, jetzt gib sie mir zurück! Fünfte Szene （Die Türe öffnet sich, Marietta Schläg den Schleier zurück und tritt in heiterer Unbefangenheit, lächelnd, mit dem Anstand und der Würde der sich ihrer Schönheit bewußten Frau und mit der Grazie der Tänzerin herein. Sie fällt in der Folge öfters aus damenhafter Haltung in das freie Gehaben der Kulissenwelt. Naiv-verderbtes, eitles, schlüchsiges, aber immer liebenswürdiges Wesen; wiederholt bricht ein leidenschaftliches erotisches Temperament hervor. Paul wendet sich um, öffnet die Augen） ▼PAUL▲ （von der Ähnlichkeit ergriffen, unwillkürlich） Wunderbar! （bleibt unbeweglich und starrt sie wie eine Erscheinung an） ▼MARIETTA▲ （leicht） Ja, wunderbar, ich staune selbst, Weiß selbst, kaum, was mich hergelockt. Gar dringlich wußten Sie zu bitten, Und jetzt kein Wort des Danks, kein Gruß? （reicht ihm Hut und Schleier und wirft sich in ein Fauteuil, umherblickend） Recht schön bei Ihnen, Sie sind Wohl reich? （ergreift einen Rosenstrauß und riecht daran） Und Rosen! Sie glühen rotem Feuer gleich! （Paul hat Hut und Schirm, ohne das Auge abzuwenden, in Empfang genommen） Noch immer steif und stumm? Wie das nach Brügge paßt! In dieses tote Nest mit seiner düstern Starre! Auch hier ists dumpf wie in einer Gruft! Uff, ich ersticke. （aufspringend） Doch mich kriegt ihr nicht unter! Ich bin vergnügt, und liebe daß Vergnügen, Lieb tolle Freuden, lieb die Sonne! ▼PAUL▲ （auf ihr Haar weisend） Die Sonne lacht in diesem Haar… ▼MARIETTA▲ （Marietta hat sich mit geschmeidiger Beweglichkeit im Zimmer herumgedreht, ihr Blick fällt flüchtig auf die rings aufgestellten Bilder- und Photographierahmen.） Und hier bescheint sie Bilder schöner Damen. （mit dem Finger drohend） Die Galerie der Fraun, die Sie geliebt? ▼PAUL▲ （wie für sich） Der Stimme Silberglanz, Der Schultern melodisch Neigen. ▼MARIETTA▲ Den Mantel fort. （legt den Mantel ab） Bin ich nicht schön? （stellt sich vor ihn hin, kokett） Schöner als die? ▼PAUL▲ All das war schön, Sie sinds! （für sich） Bei Gott, ihr Kleid, Die gleiche Farbe, fast der gleichebSchnitt. （von einem Gedanken erfaßt, wie in unwiderstehlicher Sehnsucht） Zu diesem Kleide paßt ein alter Shawl, Der hier verwahrt ist. Darf ich ihn um die schönen Schultern hängen? ▼MARIETTA▲ （übermütig） Sie wollen mich noch schöner? Gut! （Paul hat aus dem Schrank, der offen bleibt, einen Shawl geholt und legt ihn ihr zart um.） Wie weich die alte Seide! Sie macht so wohlig schauern, Zum Spiegel, rasch! Zum Spiegel! （beschaut sich im Spiegel） ▼PAUL▲ （unwillkürlich, wenn Marietta, die einen Moment durch den Spiegel gedeckt war, wieder sichtbar wird） Marie! ▼MARIETTA▲ Marie? Ich heiße Marietta. （kleine Pause） Was haben Sie? ▼PAUL▲ Nichts, nichts… Verzeihn Sie… ich bitte, verzeihn Sie… （nimmt die Laute von der Wand. Mit zarter Bitte） Und, nehmen Sie noch das. ▼MARIETTA▲ Die Alte Laute? Sie sind wohl Maler, brauchen ein Modell? （nimmt lächelnd und achselzuckend, wie um auch diesen Gefallen zu tun, die Laute; dann einer plötzlichen Laune folgend） Nun, zu der alten Laute Gehört ein altes Lied. ▼PAUL▲ （überrascht） Wie, Sie singen? ▼MARIETTA▲ Erträglich, sagt man, Wenns auch mein Fach nicht ist. Und Trauriges am liebsten Wohl weil ich sonst so übermütig bin. Soll ich? ▼PAUL▲ Ja, bitte. ▼MARIETTA▲ Nun, hören Sie. （singt） Gluck, das mir verblieb, Rück zu mir, mein treues Lieb. Abend sinkt im Haag Bist mir Licht und Tag. Bange pochet Herz an Herz. Hoffnung schwingt sich himmelwärts. ▼PAUL▲ （wie verloren） Wie wahr, ein traurig Lied. ▼MARIETTA▲ Das Lied vom treuen Lieb, Das sterben muß. （wird aufmerksam） Was haben Sie? ▼PAUL▲ Ich kenne das Lied. Ich hört es oft in jungen, In Schöneren Tagen… Es hat noch eine Strophe, Weiß ich sie noch? （er setzt mechanisch fort. Sie spielt die Laute und fällt ein. Die Strahlen der untergehenden Sonne überfluten beide.） Naht auch Sorge trüb, Rück zu mir, mein treues Lieb. Neig dein blaß Gesicht, Sterben trennt uns nicht. Mußt du einmal von mir gehn, Glaub, es gibt ein Auferstehn. （läßt erschüttert das Haupt auf die Brust sinken. Marietta blickt ihn erst befremdet, dann spöttisch an. Pause.） ▼MARIETTA▲ Das dumme Lied, Es hat Sie ganz verzaubert. （Von der Straße lustiges Trällern. Gaston, Lucienne und Juliette flanieren draußen vor dem Fenster vorbei, eventuell im Marschtakt mit Spazierstock und Schirmen aufs Pflaster schlagend.） ▼GASTON▲ （draußen） Was soll es, daß du säumig bist! Hab dich ja heut noch nicht geküßt. （Lucienne und Juliette fallen bei der letzten Zeile ein） Diridi, diridon, schön Marion. ▼MARIETTA▲ Ah, horch, Da singt man andre Liedchen, Singt aus anderm Ton, nicht sentimental. Gaston ist's, wie er drollig singt! ▼GASTON▲ （draußen） Nicht gilt der schönste Tag mir gelebt, Wenn im Arme du mir nicht gebebt, Mir im Arm nicht gebebt. ▼GASTON, JULIETTE, LUCIENNE▲ （draußen） Diridi, diridon, schön Marion. ▼MARIETTA▲ （Eilt zum Fenster und will hinauswinken） Bravo! Bravo! ▼PAUL▲ （hält sie zurück） Die Leute, Brügge, Man darf Sie hier nicht sehn. ▼MARIETTA▲ Er geht mit Juliette et Lucienne, Schlingt Arm in Arm, （plötzlich vergnügt, mit Beziehung und Genugtuung） Un denkt an Marion! Die Freunde sinds, Die vor der Probe bummeln. Auch ich muß ins Theater. ▼PAUL▲ （blickt sie verständnislos an） Sie. ▼MARIETTA▲ Nun ja, wir spielen hier. Bin Tänzerin. ▼PAUL▲ Sie, Tänzerin? ▼MARIETTA▲ Gewiß, mein werter Griesgram! Ich komm aus Lille und tanz in Brügge! Erstaunt Sie das? （Tanz und Wort auf der Laute） O Tanz, o Rausch! Lust quillt aus mir, Braust in mir, Jagt den Puls Und dehnt die Nüstern. Der Wink der Hand, Des Fußes Scham Verbergen den Wunsch Und verraten ihn lüstern. Ein Dämon erhitzt mich, Beherrscht misch, besitzt mich. Toll und toller schwillt der Reigen, Faßt mich Taumel im Beugen und Neigen! Heiß kreist das Blut mir, Erglühn die Triebe. O Tanz, o Rausch! Ich tanz die letzte Glut, Ich tanz den letzten Kuß der Liebe! （innehaltend, wie zu sich kommend, leicht, noch in der letzten Pose verharrend） Und jetzt, mein Herr, Tanz ich in die Probe. ▼PAUL▲ （Paul, erst befremdet und abgestohen durch das bacchan-tische Gehaben Mariettas, das ihm Laute und Kleidungs-stück der Toten zu entweihen scheint, dann immer mehr der Verführung erliegend, seiner nicht mächtig, ein Opfer der Sinne.） Nein, Marietta! Geh nicht von mir, Gib Dauer dieser Stunde Traum! Vom Himmel bist du mir geschenkt! Erloschnes Glück flammt auf Und reißt mich dir entgegen! Marietta! Marietta! （breitet die Arme nach ihr aus） ▼MARIETTA▲ Wie stürmisch! Macht der Tanz Dem düstern Herrn so heiß? （wieder Tanzbewegungen） O Tanz, o Rausch! （Paul will auf sie zu, um sie zu umfassen. Marietta im Tanze ausweichend, verfängt sich im Bildervorhang, so daß er sich zur Seite bewegt und das Bild sichtbar wird. Erblickt verdutzt das Bild.） Oho, das bin ja ich! Der selbe Shawl! Wen spiel ich da? ▼PAUL▲ （stürzt vor das Bild und deckt es mit einer unwillkürlichen Bewegung des gegen Marietta abwehrend ausgestreckten Armes） O lassen Sie, 's ist eine Tote. （den Kopf sinken lassend, dumpf vor sich hin） Sie mahnt… ▼GASTON▲ （hinter der Szene） Diridi, diridon, schön Marion! （Marietta Shawl langsam vom Halse und wirft ihn nebst der Laute mit einer zornigen Geste auf den Tisch. Dann, da sie Paul in seiner Versunkenheit verharren sieht, lacht sie laut auf） ▼MARIETTA▲ Ah, Gaston. ▼PAUL▲ Sie müssen in die Probe, Marietta… ▼MARIETTA▲ Ah, Er ist gut, Er schickt mich fort! Ja, ich muß in die Probe, werter Herr… ▼GASTON▲ （hinter der Szene） Diridi, diridon, schön Marion. Was soll es, das du säumig bist? Hab dich ja heut noch nicht geküßt. ▼MARIETTA▲ … Tanz die Hélène in "Robert le Diable" （nimmt den Mantel, setzt den Hut auf） Mein Zauber, rasch scheint er verflogen, Ein anderer wirkt stärker… Nun, mir recht, 's ist höchste Zeit, muß fort. （werbend, nicht ohne Anmut） Die mich lieben, wissen mich zu finden. Es gibt ein Wiedersehen im Theater. （ab） ▼PAUL▲ O Traum der Wiederkehr, entweiche nicht! In dir, die kam, kam meine Tote, Kam Marie… （von Begehren erfaßt, außer sich） Marietta! （beschwörend die Arme） Marietta! Sechste Szene （Plötzliche Verdunkelung. Nur Paul und der Porträtrahmen links bleiben beleuchtet. Aus dem Rahmen tritt die Gestalt Mariens im Kleide des Bildes mit Shawl und Laute und schwebt - Erscheinung seines Gewissens und seiner Nerven - auf Paul zu, der sich, durch die Vision gebannt, starren Blickes erhebt, ohne den Platz zu verlassen） ▼MARIE▲ Paul… Paul… ▼PAUL▲ Da bist du ja, Marie, ich wußte es. ▼MARIE▲ Bist du gewiß, Hältst du mir noch die Treu? ▼PAUL▲ Ich halt sie dir. Nie schwandest du aus diesem Raum. ▼MARIE▲ Drum nahm ich auch nicht mein Haar mit, Als ich fort mußt, Ließ dir den goldnen Schatz, Den du so geliebt. ▼PAUL▲ Ich weiß, ich weiß… ▼MARIE▲ Mein Haar stirbt nicht, Es wacht in deinem Haus. Unsre Liebe war, ist und wird sein. ▼PAUL▲ Du bist bei mir, bists immer, ewig. Bist es in dieser toten Stadt, Du tönst in ihren Glocken, Steigst aus ihren Wassern… ▼MARIE▲ Und doch wirst du vergessen, Was neben dir nicht lebt und atmet. ▼PAUL▲ （angstvoll） Die andre, die Andere, Nur dich seh ich in ihr. ▼MARIE▲ Da ich dir sichtbar, liebst du mich. ▼PAUL▲ Ich lieb nur dich. Sag, daß du mir vergibst. ▼MARIE▲ Du liebst mich doch… Unsre Liebe war, ist und wird sein. ▼PAUL▲ （elastisch, wie von einer furchtbaren Last befreit） Unsre Liebe war, ist und wird sein… （Marie beginnt dem dunklen Hintergrunde zuzuschreiten, in Nebelschleier hinein.） Ewig Geliebte, warum seh ich dich nicht mehr? Warum ist mirs, als könnt, ich's nicht mehr? ▼MARIE▲ （aus den Nebelschleiern） Gehe ins Lebe, dich lockt die andre, Schau, schau und erkenne… （Verschwindet ganz. Paul sinkt auf einen Stuhl zurück, visionär die Arme erhoben. Seine erregte Phantasie spiegelt ihm eine neue Erscheinung vor. Der Hinter grund erhellt sich; man sieht plötzlich an Stelle Mariens Marietta auf dem Theater in wallendem Phantasietanzkostüm, prächtig geschmückt, verführerisch lockend tanzen. Dazu orgiastische Tanzrhythmen.） ▼PAUL▲ Marietta! ERSTES BILD Bei Paul. Ein kleines Gemach von geringer Tiefe mit alten schweren Möbeln. Der düstere Eindruck langer Unbenütztheit und Unbewohntheit liegt darüber. Die rückwärtige Wand bildet zwei vorspringende Ecken; den Raum zwischen diesen Ecken nehmen drei bis vier zur allgemeinen Auftrittstüre führende Stufen ein, deren oberste so breit ist, daß sie eine Art Podium darstellt. Links (vom Zuschauer) ein in die Wand eingebauter Schrank mit Spiegel. Gestelle mit alten Nippes und Photographien in Rahmen. Auf einem Tischchen eine Glastruhe mit abhebbarem Deckel, in der Art der Glasstürze alter Uhren, darin eine Haarflechte. Links die Türe, die in Mariens Zimme führend zu denken ist. Die linke vorspringende Wand nimmt ein blumenbekränztes, lebensgroßes auf den Boden reichendes Portrait Mariens mit Shawl und Laute ein; davor ein Vorhang (in einer Messingstange, die nur an einem Ende befestigt ist, so daß sie mit dem Vorhang leicht nach vorne zu drehen ist und das Bild sichtbar wird. Blumen auch an Türe und den übrigen Photographierahmen. Breites Fenster rechts nach der Straße mit alten Spitzengardinen. In dessen Nähe ein Fauteuil. In der Ecke (im Vordergrund) Tisch mit Sofagarnitur. Eine Laute an der Wand - Sonniger Spätherbstnachmittag Erste Szene BRIGITTA schliesst von außen auf und läßt Frank eintreten Behutsam! Hier ist alles alt Und gespenstig. Sie zieht die Gardine hoch. Die Sonne dringt in einem breiten Strahl ins Zimmer Bis gestern drang keiner In diese Stube außer ihm und mir Die Jahre durch, die er in Brügge lebt. FRANK Und gestern? BRIGITTA Sie sind sein Freund, Her Frank, So seis gesagt. Gestern schien er ganz gewandelt. Er bebte vor Erregung, schluchzt' und lachte. "Türen auf!" so sagte er, "Licht in meinen Tempel! Die Toten stehen auf! FRANK Dies hab' ich nie von ihm gehört. Sonderbar! BRIGITTA Seht, Rosen und Levkojen an den Rahmen zeigt auf die Türe links Und an der Türe zu ihrem Zimmer, In dem sie starb. weist auf das verhängte Bild und dreht den Vorhang zur Seite Besonders aber dies Bild hat er schön Geschmückt. FRANK Ist sie das? Marie? BRIGITTA Ja, das war sie. In dem hellen, weichen Kleide Das er so liebte. FRANK betrachtet das Bildnis Schön! Herrgott! Wie leuchtet dies Haar! BRIGITTA zeigt auf die Kristalltruhe Da drunter liegt ein Strähn von diesem Haar. Flüssige Dukaten, nicht wahr? FRANK Er hat es aufbewahrt? Seltsam. BRIGITTA Und hier mit einer Bewegung über den ganzen Raum hin Kein Fleck, der nicht von seiner Toten spräche. Er nennt's Kirche des Gewesenen. Sie hat Frank langsam umhergeführt, der sinnend all die Bilder, Andenken und Reliquien betrachtet. FRANK So lebt er stets? BRIGITTA Bis gestern immer so. Er sagte "Brügge und ich, wir sind eins. Wir beten Schönstes an Vergangenheit." FRANK Und du, Brigitt? Erträgst Du das? Du, eine Frau? Lockts dich ins Leben nicht hinaus? BRIGITTA Was das Leben ist, weiß ich nicht, Herr Frank, Denn ich bin allein. Hier aber, hier ist Liebe, Herr Frank, das weiß ich. Und wo Liebe, Dort dient eine arme Frau zufrieden. es schellt draußen Da ist er! Zweite Szene Paul tritt ein, nervös von einem Erlebnis erregt PAUL Frank! Freund! FRANK lächelnd Brigitta führte mich in die "Kirche des Gewesenen." PAUL lebhaft Des Gewesenen? Nein! zu Brigitta Lauf schnell hinab zum Gärtner, Hol' Rosen. Zwei Arme voll! Es soll erglühn hier von roten Rosen. er hat Brigitta hinausgedrängt. Zu Frank Du sahst ihr Bild? FRANK Ja, sie war schön, Und viel hast du verloren. PAUL in das Bild versunken Marie, Marie, dein Atem, deine Augen! zu Frank Wie sagst du? Sie war schön? FRANK Gewiß. PAUL Sie war schön, sagst du? Sie ist schön! Sie ist! Sie ist! FRANK blickt ihn forschend an In deiner Phantasie? PAUL Nein, nein, sie lebt! Bald ist sie hier, sie kehrt zurück. O hör ein Märchen, ein Wunder! Du Weißt, das ich in Brügge blieb, um allein zu sein mit meiner Toten. Die tote Frau, die tote Stadt, flossen zu geheimnisvollem Gleichnis. Und täglich schritt ich gleichen Weg, mit ihrem Schatten Arm in Arm, zum Minnewasser, auf die Fläche starrend, ihr teures Bild mit Tränen mir ersehnend, den süßen, sanft in sich gekehrten Blick, den Schimmer ihres goldnen Haars. Und gestern wieder träumt ich am Gitter von der Entschwundenen, von ihr, Marie. Holt mir ihr Antlitz aus der Tiefe, hold und rein, so ganz war sie mir nah, wie einst in den Tagen des Glücks - sehnend, liebend. In meines Schauns Versunkenheit schallen Schritte. Ich horche… ein Schatten gleitet übers Wasser Ich blicke auf; vor mir steht eine Frau im Sonnenlicht. Frank! Frank! Eine Frau. Im Mittagsglast erglänzt Mariens Gold Haar, den Lippen entschwebt Mariens Lächeln. Nicht Ähnlichkeit mehr - nein, ein Wunder, Begnadigung! Es schien sie selbst, sie mein Weib! Ja, mein lebend, mein atmend Weib! Ein Fieber faßte mich nach altem Glück. "Gott", schrie ich, "wenn du mir gnädig bist, gib sie mir zurück!" Und heute Mittag sprach ich sie, bebenden Herzens, zweifelswund und der Wunder größtes Mariens Stimme klang aus ihrem Mund! FRANK Im öden Brügge eine Unbekannte? PAUL Ich weiß nicht, wer sie ist, Lud sie zu mir in meine Einsamkeit. Und sie Kommt, und in ihr kommt Meine Tote, kommt Marie. FRANK ernst Hör, Paul, du wagst gefährlich Spiel. Du bist ein Träumer, Bist ein Geisterseher. Ich seh die Dinge, seh die Frauen So wie sie sind. Willst du zum Herrn dich über Tod und Lebe Schwingen? Ein lebend Sein zur Puppe Des Verstorbenen zwingen? Bescheide dich! Zu lang warst du allein, Dein Blut murrt gegen diese Trauer. Seis drum, umarm eine schöne Frau, Doch Tote laß mir schlafen. PAUL wie einer der nicht zugehört hat, ekstatisch Ich will den Traum der Wiederkehr vertiefen, Will sie durch diese Türe schreiten, Den Raum durchleuchten sehn, In dem ihr holder Duft noch schwebt, Der Rhythmus ihres süßen Wesens webt. In ihr die kommt, kommt Marie, Kommt meine Tote. FRANK Du schwärmst für ein Phantom! Zu rechter Zeit Hat diese Reise mich zu dir geführt. Mein Freund, dein tief Gefühl Hat dich verwirrt. Dein tief Gefühl muß dich auch heilen. Ich geh, doch bald kehr ich zurück. Das Trugbild weicht, Der Nebel wird sich teilen. schüttelt Paul mit freundschaftlicher Gebärde die Hand, ihm herzlich ins Auge blickend. Paul begleitet ihn zur Türe. Dritte Szene PAUL zum Bilde zurückgehkehrt Nur deiner harr ich, niemals Verlorne! Wer kann ihn denn verstehen, Unsrer Seelen tief geheimnisvollen Bund? dreht den Vorhang wieder zurück. Sein Blick fällt auf die Haarreliquie; er hebt inbrünstig den Glasschrein hoch, der in voller Sonne funkelt. Du Überlebendes von ihrer Schönheit, So wirst du wieder hold erstehn? So werd ich wieder Schimmernd auf weißer Stirn Das Goldgelocke leuchten sehn? Vierte Szene Brigitta tritt ein, auf beiden Armen Blumen PAUL stellt rasch den Schrein nieder Rosen, so ists recht! er nimmt ihr die Blumen ab, füllt die Vasen, läuft hin und her BRIGITTA zögernd Gnädger Herr, verschleiert, eine Dame. PAUL fast schreiend Und du sagst es nicht? Führ sie herein. BRIGITTA wie protestierend Herr Paul, bedenken Sie, die Welt… PAUL Wenn du mich liebst, schweig und gehorche! Brigitta bestürzt ab. Inmitten des Zimmers stehend, die Augen schließend Marie! Noch einmal saug ich deine Züge, In mich ein. Ich sehe dich… ich fühle dich… Jetzt, Gott, jetzt gib sie mir zurück! Fünfte Szene Die Türe öffnet sich, Marietta Schläg den Schleier zurück und tritt in heiterer Unbefangenheit, lächelnd, mit dem Anstand und der Würde der sich ihrer Schönheit bewußten Frau und mit der Grazie der Tänzerin herein. Sie fällt in der Folge öfters aus damenhafter Haltung in das freie Gehaben der Kulissenwelt. Naiv-verderbtes, eitles, schlüchsiges, aber immer liebenswürdiges Wesen; wiederholt bricht ein leidenschaftliches erotisches Temperament hervor. Paul wendet sich um, öffnet die Augen PAUL von der Ähnlichkeit ergriffen, unwillkürlich Wunderbar! bleibt unbeweglich und starrt sie wie eine Erscheinung an MARIETTA leicht Ja, wunderbar, ich staune selbst, Weiß selbst, kaum, was mich hergelockt. Gar dringlich wußten Sie zu bitten, Und jetzt kein Wort des Danks, kein Gruß? reicht ihm Hut und Schleier und wirft sich in ein Fauteuil, umherblickend Recht schön bei Ihnen, Sie sind Wohl reich? ergreift einen Rosenstrauß und riecht daran Und Rosen! Sie glühen rotem Feuer gleich! Paul hat Hut und Schirm, ohne das Auge abzuwenden, in Empfang genommen Noch immer steif und stumm? Wie das nach Brügge paßt! In dieses tote Nest mit seiner düstern Starre! Auch hier ists dumpf wie in einer Gruft! Uff, ich ersticke. aufspringend Doch mich kriegt ihr nicht unter! Ich bin vergnügt, und liebe daß Vergnügen, Lieb tolle Freuden, lieb die Sonne! PAUL auf ihr Haar weisend Die Sonne lacht in diesem Haar… MARIETTA Marietta hat sich mit geschmeidiger Beweglichkeit im Zimmer herumgedreht, ihr Blick fällt flüchtig auf die rings aufgestellten Bilder- und Photographierahmen. Und hier bescheint sie Bilder schöner Damen. mit dem Finger drohend Die Galerie der Fraun, die Sie geliebt? PAUL wie für sich Der Stimme Silberglanz, Der Schultern melodisch Neigen. MARIETTA Den Mantel fort. legt den Mantel ab Bin ich nicht schön? stellt sich vor ihn hin, kokett Schöner als die? PAUL All das war schön, Sie sinds! für sich Bei Gott, ihr Kleid, Die gleiche Farbe, fast der gleichebSchnitt. von einem Gedanken erfaßt, wie in unwiderstehlicher Sehnsucht Zu diesem Kleide paßt ein alter Shawl, Der hier verwahrt ist. Darf ich ihn um die schönen Schultern hängen? MARIETTA übermütig Sie wollen mich noch schöner? Gut! Paul hat aus dem Schrank, der offen bleibt, einen Shawl geholt und legt ihn ihr zart um. Wie weich die alte Seide! Sie macht so wohlig schauern, Zum Spiegel, rasch! Zum Spiegel! beschaut sich im Spiegel PAUL unwillkürlich, wenn Marietta, die einen Moment durch den Spiegel gedeckt war, wieder sichtbar wird Marie! MARIETTA Marie? Ich heiße Marietta. kleine Pause Was haben Sie? PAUL Nichts, nichts… Verzeihn Sie… ich bitte, verzeihn Sie… nimmt die Laute von der Wand. Mit zarter Bitte Und, nehmen Sie noch das. MARIETTA Die Alte Laute? Sie sind wohl Maler, brauchen ein Modell? nimmt lächelnd und achselzuckend, wie um auch diesen Gefallen zu tun, die Laute; dann einer plötzlichen Laune folgend Nun, zu der alten Laute Gehört ein altes Lied. PAUL überrascht Wie, Sie singen? MARIETTA Erträglich, sagt man, Wenns auch mein Fach nicht ist. Und Trauriges am liebsten Wohl weil ich sonst so übermütig bin. Soll ich? PAUL Ja, bitte. MARIETTA Nun, hören Sie. singt Gluck, das mir verblieb, Rück zu mir, mein treues Lieb. Abend sinkt im Haag Bist mir Licht und Tag. Bange pochet Herz an Herz. Hoffnung schwingt sich himmelwärts. PAUL wie verloren Wie wahr, ein traurig Lied. MARIETTA Das Lied vom treuen Lieb, Das sterben muß. wird aufmerksam Was haben Sie? PAUL Ich kenne das Lied. Ich hört es oft in jungen, In Schöneren Tagen… Es hat noch eine Strophe, Weiß ich sie noch? er setzt mechanisch fort. Sie spielt die Laute und fällt ein. Die Strahlen der untergehenden Sonne überfluten beide. Naht auch Sorge trüb, Rück zu mir, mein treues Lieb. Neig dein blaß Gesicht, Sterben trennt uns nicht. Mußt du einmal von mir gehn, Glaub, es gibt ein Auferstehn. läßt erschüttert das Haupt auf die Brust sinken. Marietta blickt ihn erst befremdet, dann spöttisch an. Pause. MARIETTA Das dumme Lied, Es hat Sie ganz verzaubert. Von der Straße lustiges Trällern. Gaston, Lucienne und Juliette flanieren draußen vor dem Fenster vorbei, eventuell im Marschtakt mit Spazierstock und Schirmen aufs Pflaster schlagend. GASTON draußen Was soll es, daß du säumig bist! Hab dich ja heut noch nicht geküßt. Lucienne und Juliette fallen bei der letzten Zeile ein Diridi, diridon, schön Marion. MARIETTA Ah, horch, Da singt man andre Liedchen, Singt aus anderm Ton, nicht sentimental. Gaston ist's, wie er drollig singt! GASTON draußen Nicht gilt der schönste Tag mir gelebt, Wenn im Arme du mir nicht gebebt, Mir im Arm nicht gebebt. GASTON, JULIETTE, LUCIENNE draußen Diridi, diridon, schön Marion. MARIETTA Eilt zum Fenster und will hinauswinken Bravo! Bravo! PAUL hält sie zurück Die Leute, Brügge, Man darf Sie hier nicht sehn. MARIETTA Er geht mit Juliette et Lucienne, Schlingt Arm in Arm, plötzlich vergnügt, mit Beziehung und Genugtuung Un denkt an Marion! Die Freunde sinds, Die vor der Probe bummeln. Auch ich muß ins Theater. PAUL blickt sie verständnislos an Sie. MARIETTA Nun ja, wir spielen hier. Bin Tänzerin. PAUL Sie, Tänzerin? MARIETTA Gewiß, mein werter Griesgram! Ich komm aus Lille und tanz in Brügge! Erstaunt Sie das? Tanz und Wort auf der Laute O Tanz, o Rausch! Lust quillt aus mir, Braust in mir, Jagt den Puls Und dehnt die Nüstern. Der Wink der Hand, Des Fußes Scham Verbergen den Wunsch Und verraten ihn lüstern. Ein Dämon erhitzt mich, Beherrscht misch, besitzt mich. Toll und toller schwillt der Reigen, Faßt mich Taumel im Beugen und Neigen! Heiß kreist das Blut mir, Erglühn die Triebe. O Tanz, o Rausch! Ich tanz die letzte Glut, Ich tanz den letzten Kuß der Liebe! innehaltend, wie zu sich kommend, leicht, noch in der letzten Pose verharrend Und jetzt, mein Herr, Tanz ich in die Probe. PAUL Paul, erst befremdet und abgestohen durch das bacchan-tische Gehaben Mariettas, das ihm Laute und Kleidungs-stück der Toten zu entweihen scheint, dann immer mehr der Verführung erliegend, seiner nicht mächtig, ein Opfer der Sinne. Nein, Marietta! Geh nicht von mir, Gib Dauer dieser Stunde Traum! Vom Himmel bist du mir geschenkt! Erloschnes Glück flammt auf Und reißt mich dir entgegen! Marietta! Marietta! breitet die Arme nach ihr aus MARIETTA Wie stürmisch! Macht der Tanz Dem düstern Herrn so heiß? wieder Tanzbewegungen O Tanz, o Rausch! Paul will auf sie zu, um sie zu umfassen. Marietta im Tanze ausweichend, verfängt sich im Bildervorhang, so daß er sich zur Seite bewegt und das Bild sichtbar wird. Erblickt verdutzt das Bild. Oho, das bin ja ich! Der selbe Shawl! Wen spiel ich da? PAUL stürzt vor das Bild und deckt es mit einer unwillkürlichen Bewegung des gegen Marietta abwehrend ausgestreckten Armes O lassen Sie, 's ist eine Tote. den Kopf sinken lassend, dumpf vor sich hin Sie mahnt… GASTON hinter der Szene Diridi, diridon, schön Marion! Marietta Shawl langsam vom Halse und wirft ihn nebst der Laute mit einer zornigen Geste auf den Tisch. Dann, da sie Paul in seiner Versunkenheit verharren sieht, lacht sie laut auf MARIETTA Ah, Gaston. PAUL Sie müssen in die Probe, Marietta… MARIETTA Ah, Er ist gut, Er schickt mich fort! Ja, ich muß in die Probe, werter Herr… GASTON hinter der Szene Diridi, diridon, schön Marion. Was soll es, das du säumig bist? Hab dich ja heut noch nicht geküßt. MARIETTA … Tanz die Hélène in "Robert le Diable" nimmt den Mantel, setzt den Hut auf Mein Zauber, rasch scheint er verflogen, Ein anderer wirkt stärker… Nun, mir recht, 's ist höchste Zeit, muß fort. werbend, nicht ohne Anmut Die mich lieben, wissen mich zu finden. Es gibt ein Wiedersehen im Theater. ab PAUL O Traum der Wiederkehr, entweiche nicht! In dir, die kam, kam meine Tote, Kam Marie… von Begehren erfaßt, außer sich Marietta! beschwörend die Arme Marietta! Sechste Szene Plötzliche Verdunkelung. Nur Paul und der Porträtrahmen links bleiben beleuchtet. Aus dem Rahmen tritt die Gestalt Mariens im Kleide des Bildes mit Shawl und Laute und schwebt - Erscheinung seines Gewissens und seiner Nerven - auf Paul zu, der sich, durch die Vision gebannt, starren Blickes erhebt, ohne den Platz zu verlassen MARIE Paul… Paul… PAUL Da bist du ja, Marie, ich wußte es. MARIE Bist du gewiß, Hältst du mir noch die Treu? PAUL Ich halt sie dir. Nie schwandest du aus diesem Raum. MARIE Drum nahm ich auch nicht mein Haar mit, Als ich fort mußt, Ließ dir den goldnen Schatz, Den du so geliebt. PAUL Ich weiß, ich weiß… MARIE Mein Haar stirbt nicht, Es wacht in deinem Haus. Unsre Liebe war, ist und wird sein. PAUL Du bist bei mir, bists immer, ewig. Bist es in dieser toten Stadt, Du tönst in ihren Glocken, Steigst aus ihren Wassern… MARIE Und doch wirst du vergessen, Was neben dir nicht lebt und atmet. PAUL angstvoll Die andre, die Andere, Nur dich seh ich in ihr. MARIE Da ich dir sichtbar, liebst du mich. PAUL Ich lieb nur dich. Sag, daß du mir vergibst. MARIE Du liebst mich doch… Unsre Liebe war, ist und wird sein. PAUL elastisch, wie von einer furchtbaren Last befreit Unsre Liebe war, ist und wird sein… Marie beginnt dem dunklen Hintergrunde zuzuschreiten, in Nebelschleier hinein. Ewig Geliebte, warum seh ich dich nicht mehr? Warum ist mirs, als könnt, ich's nicht mehr? MARIE aus den Nebelschleiern Gehe ins Lebe, dich lockt die andre, Schau, schau und erkenne… Verschwindet ganz. Paul sinkt auf einen Stuhl zurück, visionär die Arme erhoben. Seine erregte Phantasie spiegelt ihm eine neue Erscheinung vor. Der Hinter grund erhellt sich; man sieht plötzlich an Stelle Mariens Marietta auf dem Theater in wallendem Phantasietanzkostüm, prächtig geschmückt, verführerisch lockend tanzen. Dazu orgiastische Tanzrhythmen. PAUL Marietta! Korngold,Erich Wolfgang/Die tote Stadt/II
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Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnicalThinking&Writing? Fluoroelastomers Handbook The Definitive User's Guide And Databook (Pdl Handbook) Noyes Pubns? Albert L. Moore? NoyesPubns? AlbertL.Moore? ジャンル別? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General The Rheology Handbook Noyes Pubns? Thomas G. Mezger? NoyesPubns? ThomasG.Mezger? ジャンル別? Subjects-Engineering-Civil-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Glenn Curtiss, Pioneer of Flight Syracuse Univ Pr (Sd)? Cecil R. Roseberry? SyracuseUnivPr(Sd)? CecilR.Roseberry? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Engineering-General? Subjects-Engineering-Aerospace-General? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Aerospace-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Airplanes, Women, and Song Memoirs of a Fighter Ace, Test Pilot, and Adventurer Syracuse Univ Pr (Sd)? Boris Sergievsky? Allan Forsyth? Adam Hochschild? SyracuseUnivPr(Sd)? BorisSergievsky? AllanForsyth? AdamHochschild? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-General? Subjects-Biographies&Memoirs-Leaders&NotablePeople-Military-General? Subjects-Biographies&Memoirs-Professionals&Academics-Military&Spies? Subjects-Biographies&Memoirs-SpecificGroups-Women? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-History-Asia-Russia? Subjects-History-Military-Biographies? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-Piloting&FlightInstruction? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Theory and Design of Wood and Fiber Composite Materials Syracuse Univ Pr (Sd)? Benjamin A. Jayne? SyracuseUnivPr(Sd)? BenjaminA.Jayne? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Mismanaged Trade? Strategic Policy and the Semiconductor Industry Brookings Inst Pr? Kenneth Flamm? BrookingsInstPr? KennethFlamm? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-Economics-International? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Industries&Professions-High-Tech? Subjects-Computers&Internet-Business&Culture-ComputerIndustry? Subjects-Engineering-General? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Transportation-Ships-General? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Nonfiction-Economics-International? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-International-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? Mismanaged Trade Strategic Policy and the Semiconductor Industry Brookings Inst Pr? Kenneth Flamm? BrookingsInstPr? KennethFlamm? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-Economics-International? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Industries&Professions-High-Tech? Subjects-Computers&Internet-Business&Culture-ComputerIndustry? Subjects-Engineering-General? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Nonfiction-Economics-International? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-International-Economics? Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? How Does It Work? (World of Science) Facts on File? Chris Cooper? Jane Insley? FactsonFile? ChrisCooper? JaneInsley? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Careers With Robots Facts on File? Texe W. Marrs? FactsonFile? TexeW.Marrs? ジャンル別? Subjects-Business&Investing-Careers-General? Subjects-Business&Investing-Careers-Guides? Subjects-Business&Investing-Careers-VocationalGuidance? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Nonfiction-Education-Counseling-VocationalGuidance? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Education-Counseling-VocationalGuidance? Subjects-Reference-Careers-General? Subjects-Reference-Careers-Guides? Subjects-Reference-Careers-VocationalGuidance? Subjects-Teens-Science&Technology-General? Amelia Earhart (Makers of America) Facts on File? Carol Pearce? FactsonFile? CarolPearce? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-People,A-Z-(E)-Earhart,Amelia? Subjects-Children sBooks-History&HistoricalFiction-Biographical? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Teens-History&HistoricalFiction-HistoricalFiction? On Your Bicycle An Illustrated History of Cycling Facts on File? James McGurn? FactsonFile? JamesMcGurn? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-Automotive-General? Subjects-Engineering-General? Subjects-History? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Outdoors&Nature-OutdoorRecreation-Cycling-General? Subjects-Professional&Technical-Engineering-Automotive-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Sports-IndividualSports-Cycling-General? From Cycle to Spaceship The Story of Transport (Discovering Science Series) Facts on File? Michael Pollard? FactsonFile? MichaelPollard? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Engineering? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Opening the Space Frontier (Space Exploration Series) Facts on File? Ray Spangenburg? Dave Moser? Diane Moser? FactsonFile? RaySpangenburg? DaveMoser? DianeMoser? ジャンル別? Subjects-Children sBooks-History&HistoricalFiction-Exploration&Discovery? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Astronomy-Aeronautics&Astronautics? Living and Working in Space (Space Exploration Series) Facts on File? Ray Spangenberg? Dave Moser? FactsonFile? RaySpangenberg? DaveMoser? ジャンル別? Substores-UnknownASINs-63? Subjects-Children sBooks-History&HistoricalFiction-Exploration&Discovery? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Spaceflight and Rocketry A Chronology Facts on File? David Baker? FactsonFile? DavidBaker? ジャンル別? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-History? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Flight and Flying A Chronology Facts on File? David Baker? FactsonFile? DavidBaker? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Aerospace-General? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Nonfiction-Transportation-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Aerospace-General? Subjects-Reference? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Astronomy-Aeronautics&Astronautics? Resource Directory for the Disabled (Resource Directory for the Disabled) Facts on File? R. N. Shrout? FactsonFile? R.N.Shrout? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Law-Specialties-Disability? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Law-Specialties-Disability? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Catalogs&Directories-Directories? Subjects-Reference-General? The Facts on File Dictionary of Environmental Science (Facts on File Science Dictionary) Facts on File? L. Harold Stevenson? Bruce C. Wyman? FactsonFile? L.HaroldStevenson? BruceC.Wyman? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(British)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference-Dictionaries&Thesauruses-English(British)? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-General? Subjects-Science-EarthSciences-EnvironmentalScience The Complete Motorcycle Book A Consumer's Guide Facts on File? Jim Bennett? FactsonFile? JimBennett? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Nonfiction-Automotive-Motorcycles-Repair&Performance? Subjects-Professional&Technical-Engineering-General The Dictionary of Space Technology Facts on File? Joseph A. Angelo? Joseph, Dr Angelo? FactsonFile? JosephA.Angelo? Joseph,DrAngelo? ジャンル別? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space? Subjects-Engineering-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Encyclopedia of Garbage Facts on File? Steve Coffel? William L. Rathje? FactsonFile? SteveCoffel? WilliamL.Rathje? ジャンル別? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-Civil-Environmental-Pollution-General? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Engineering-Civil-Environmental-Sanitary&Municipal? Subjects-Engineering-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-Engineering-Civil-Environmental-Sanitary&Municipal? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Cars, Planes, Ships and Trains (101 Questions Answers) Checkmark Books? Ian Graham? CheckmarkBooks? IanGraham? ジャンル別? Subjects-Children sBooks-Science,Nature&HowItWorks-HowThingsWork? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Engineering? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General To Rise from Earth An Easy to Understand Guide to Spaceflight Checkmark Books? Wayne Lee? CheckmarkBooks? WayneLee? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Reference-General? Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Astronomy? The Complete Motorcycle Book A Consumer's Guide (Facts on File) Facts on File? Jim Bennett? FactsonFile? JimBennett? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference? The Facts on File Dictionary of Biotechnology and Genetic Engineering (The Facts on File Science Dictionary Series) Checkmark Books? Mark L. Steinberg? Sharon D. Cosloy? CheckmarkBooks? MarkL.Steinberg? SharonD.Cosloy? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Engineering-Chemical-General? Subjects-Engineering-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biotechnology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Genetics? Subjects-Reference-Dictionaries&Thesauruses-General? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-General? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-Evolution-Genetics? Subjects-Science-Reference-General? Subjects-Science-BiologicalSciences-Biotechnology? Encyclopedia of Bridges and Tunnels (Facts on File Science Library) Facts on File? Stephen Johnson? Roberto T. Leon? FactsonFile? StephenJohnson? RobertoT.Leon? ジャンル別? Subjects-Arts&Photography-Architecture-BuildingTypes&Styles-General? Subjects-Arts&Photography-Architecture-Reference? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-BuildingTypes&Styles-General? Subjects-Professional&Technical-Architecture-Reference? Subjects-Reference? Subjects-Science-General Subjects-Science-Reference-Engineering? Encyclopedia of Bridges and Tunnels (Facts on File Science Library) Checkmark Books? Stephen Johnson? Roberto T. Leon? CheckmarkBooks? StephenJohnson? RobertoT.Leon? ジャンル別? Subjects-Arts&Photography-Architecture-BuildingTypes&Styles-General? Subjects-Arts&Photography-Architecture-Reference? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-BuildingTypes&Styles-General? Subjects-Professional&Technical-Architecture-Reference? Subjects-Reference? Subjects-Science-General Subjects-Science-Reference-Engineering? Power and Energy (History of Invention) Facts on File (J)? Chris Woodford? FactsonFile(J)? ChrisWoodford? ジャンル別? Substores-UnknownASINs-63? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Teens-Science&Technology-General? Engineering (What Can I Do Now) Ferguson Pub? Ferguson? FergusonPub? Ferguson? ジャンル別? Subjects-Business&Investing-Careers-VocationalGuidance? Subjects-Children sBooks-People&Places-Careers? Subjects-Engineering-General? Subjects-Nonfiction-Education-Counseling-VocationalGuidance? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Education-Counseling-VocationalGuidance? Subjects-Reference-Careers-VocationalGuidance? Career Opportunities in Engineering (Career Opportunities) Checkmark Books? Susan Echaore-McDavid? CheckmarkBooks? SusanEchaore-McDavid? ジャンル別? Subjects-Business&Investing-Careers-General? Subjects-Business&Investing-Careers-Guides? Subjects-Business&Investing-Careers-JobHunting-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Careers-General? Subjects-Reference-Careers-Guides? Subjects-Reference-Careers-JobHunting-General? Aerospace Periodical Index, 1973-1982 G K Hall? National Air and Space Museum? GKHall? NationalAirandSpaceMuseum? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-General? Subjects-Engineering-Aerospace-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Aerospace-General? Straight on Till Morning The Biography of Beryl Markham (G K Hall Large Print Book Series) G K Hall & Co? Mary S. Lovell? GKHall&Co? MaryS.Lovell? ジャンル別? Subjects-Biographies&Memoirs-SpecificGroups-Women? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Test Pilots Collins? David Middleton? Collins? DavidMiddleton? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General One Hundred Years of the Motor Car, 1886-1986 Collins? Marco Ruiz? Collins? MarcoRuiz? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General The Integrity of Platform Superstructures Blackwell Science Ltd? J.W. Bunce? BlackwellScienceLtd? J.W.Bunce? ジャンル別? Subjects-Engineering-Civil-Mining? Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological-DrillingProcedures? Subjects-Engineering-Petroleum,Mining&Geological-OffshoreDrilling? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-DrillingProcedures? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-OffshoreDrilling? Subjects-Professional&Technical-Engineering-General The Bosch Book of the Motor Car Collins? John Day? Barry Rowe? Collins? JohnDay? BarryRowe? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Collins New Complete Wiring and Lighting Collins? Albert Jackson? Collins? AlbertJackson? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-How-to&HomeImprovements? Subjects-Professional&Technical-Engineering-General How to Outsmart the New Car Salesman A Legendary Salesman Reveals the Secrets to Negotiating a Great Deal Macmillan Pub Co? Gary Carr? MacmillanPubCo? GaryCarr? ジャンル別? Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Professional&Technical-Engineering-General Installation Requirements of the 1993 National Electrical Code Macmillan Pub Co? Paul Rosenberg? MacmillanPubCo? PaulRosenberg? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Construction-BuildingCodes&Laws? Subjects-Engineering-General? Subjects-Engineering-Energy-Electric-PowerDistribution? Subjects-Home&Garden-How-to&HomeImprovements-Electrical? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingCodes&Laws? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Energy-Electric-PowerDistribution? Subjects-Reference-General? The Last American Convertibles Macmillan Pub Co? Jay Hirsch? MacmillanPubCo? JayHirsch? ジャンル別? Substores-UnknownASINs-61? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Industry? Subjects-Professional&Technical-Engineering-General Jane's Pocket Book of Record Breaking Aircraft Collier Books? John Taylor? CollierBooks? JohnTaylor? ジャンル別? Substores-UnknownASINs-1? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-Piloting&FlightInstruction? Subjects-Professional&Technical-Engineering-General Jane's Pocket Book of Home-Built Aircraft Macmillan Pub Co? John Taylor? MacmillanPubCo? JohnTaylor? ジャンル別? Substores-UnknownASINs-1? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-General Human Factors Engineering Prentice Hall College Div? Jack A. Adams? PrenticeHallCollegeDiv? JackA.Adams? ジャンル別? Subjects-Computers&Internet-Business&Culture-ProjectManagement-Ergonomics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Ergonomics? Subjects-Health,Mind&Body-Psychology&Counseling-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Ergonomics? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Subjects-Professional&Technical-Engineering-General 洋書
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Science, Women and Revolution in Russia (Women in Science) Harwood Academic Pub? Ann Hibner Koblitz? HarwoodAcademicPub? AnnHibnerKoblitz? ユーズドブック(洋書)-Medicine? Subjects-History-Asia-Russia? Subjects-History-Europe-General? Subjects-Medicine-SpecialTopics-History? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Subjects-Nonfiction-SocialSciences-GenderStudies-WomeninHistory? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-Women sStudies-FeministTheory? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofMedicine? Thumb Culture The Meaning of Mobile Phones for Society Transcript Verlag? Stefan Bertsch? Peter Glotz? Christopher Locke? TranscriptVerlag? StefanBertsch? PeterGlotz? ChristopherLocke? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Entertainment? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-CellularCommunications? Subjects-Engineering-Telecommunications-General? Subjects-Entertainment-PopCulture-General? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-PopularCulture? Subjects-Nonfiction-SocialSciences-MediaStudies? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Science, Cold War and American State Lloyd V. Berkner and the Balance of Professional Ideals (Studies in the History of Science, Technology and Medicine Series) Harwood Academic Pub? Allan A. Needell? HarwoodAcademicPub? AllanA.Needell? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-Medicine? Subjects-Biographies&Memoirs-Professionals&Academics-Scientists? Subjects-History-Americas-UnitedStates-20thCentury-1945-Present? Subjects-Medicine-General? Subjects-Nonfiction-Philosophy-Science? 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Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydraulics? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Implementation of Safety Health on Construction Sites Proceedings of the 2nd International Conference of Cib Working Commission W99, Honolula, Hawaii, 24-27 March 1999 Aa Balkema? Jimmie Hinze? Amarjit Singh? Richard Coble? AaBalkema? JimmieHinze? AmarjitSingh? RichardCoble? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Law? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-Construction-Contracting? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Law-EnglishLaw? Subjects-Nonfiction-Law-EnglishLaw? 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Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Computational Stochastic Mechanics Proceedings of the 3rd International Conference, Thera-Santorino, Greece, 14-17 June1998 Aa Balkema? P. D. Spanos? AaBalkema? P.D.Spanos? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Structural? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-StochasticModeling? Subjects-Science-General Subjects-Science-Mathematics-Applied-General? Handbook of Pharmaceutical Salts Properties, Selection, and Use Vch Verlagsgesellschaft Mbh? P. Heinrich Stahl? Camille Georges Wermuth? VchVerlagsgesellschaftMbh? P.HeinrichStahl? CamilleGeorgesWermuth? ユーズドブック(洋書)-Medicine? Subjects-Medicine-Pharmacology-General? 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101 Unuseless Japanese Inventions The Art of Chindogu W W Norton & Co Inc? Kenji Kawakami? Dan Papia? WWNorton&CoInc? KenjiKawakami? DanPapia? ジャンル別? Subjects-Business&Investing-General? Subjects-Entertainment-Puzzles&Games-Trivia? Subjects-Entertainment-Humor-General? Subjects-Science-Technology-General&Reference Make 9 Technology on Your Time (Make Technology on Your Time) Oreilly & Associates Inc? Mark Frauenfelder? Oreilly&AssociatesInc? MarkFrauenfelder? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-Hardware-General? Subjects-Computers&Internet-OperatingSystems-General? Subjects-Computers&Internet-General? Subjects-Science-General Subjects-Science-Technology-General&Reference The Black Death and the Transformation of the West (European History Series) Harvard Univ Pr? David Herlihy? Samuel Kline Cohn? HarvardUnivPr? DavidHerlihy? 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Optimal Relay and Saturating Control System Synthesis (IEE Control Engineering Series) Institution of Engineering and Technology? E.P. Ryan? InstitutionofEngineeringandTechnology? E.P.Ryan? ジャンル別? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Self-tuning and Adaptive Control Institution of Engineering and Technology? C.J. Harris? S.A. Billings? InstitutionofEngineeringandTechnology? C.J.Harris? S.A.Billings? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? 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Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Australian Concrete Inspection Manual (Australian Natural History Series) New South Wales Univ Pr Ltd? H. P. Isaacs? R. Nagarajan? NewSouthWalesUnivPrLtd? H.P.Isaacs? R.Nagarajan? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Hangar Talk Interviews With Fliers 1920'S-1990's Eastern Washington Univ Pr? Irv Broughton? EasternWashingtonUnivPr? IrvBroughton? ジャンル別? Subjects-Biographies&Memoirs-SpecificGroups-General? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-Piloting&FlightInstruction? Subjects-Nonfiction-Transportation-General? Subjects-Professional&Technical-Engineering-General Ashrae Thermodynamic Properties of Refrigerants Amer Society of Heating? Richard B. Stewart? Richard T. Jacobsen? Steven G. Penoncello? Refrigerating and Air-Conditioning Engineers American Society of Heating? AmerSocietyofHeating? RichardB.Stewart? RichardT.Jacobsen? StevenG.Penoncello? RefrigeratingandAir-ConditioningEngineersAmericanSocietyofHeating? ジャンル別? Substores-UnknownASINs-30? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Applied? 1990 Ashrae Handbook Refrigeration Systems and Applications/Inch-Pound (Ashrae Handbook Refrigeration Systems/Applications Inch-Pound System) Amer Society of Heating? AmerSocietyofHeating? ジャンル別? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Design of Smoke Management Systems Amer Society of Heating? John H. Klote? J. A. Milke? AmerSocietyofHeating? JohnH.Klote? J.A.Milke? ジャンル別? Substores-UnknownASINs-30? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Science-General The Brown Condor The True Adventures of John C. Robinson Bartleby Pr? Thomas E. Simmons? BartlebyPr? ThomasE.Simmons? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-Piloting&FlightInstruction? Subjects-Professional&Technical-Engineering-General Collectible Fountain Pens Parker Schaeffer Wahl-Eversharp Waterman World Pub? Glen Bowen? WorldPub? 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Subjects-Professional&Technical-Engineering-General Being Successful As an Engineer Engineering Pr? William H., P.E. Roadstrum? EngineeringPr? WilliamH.,P.E.Roadstrum? ジャンル別? Subjects-Business&Investing-Careers-Guides? Subjects-Business&Investing-Careers-VocationalGuidance? Subjects-Engineering-General? Subjects-Engineering-Reference? Subjects-Nonfiction-Education-Counseling-VocationalGuidance? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Education-Counseling-VocationalGuidance? Subjects-Reference-Careers-Guides? Subjects-Reference-Careers-VocationalGuidance? Subjects-Science-General Subjects-Science-Reference-Engineering? Dynamics Exam File (Exam File Series) Engineering Pr? Charles E. Smith? EngineeringPr? CharlesE.Smith? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? 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Multiple Criteria Decision Making Proceedings of the Twelfth International Conference, Hagen (Germany) (Lecture Notes in Economics and Mathematical Systems) Springer? International Conference on Multiple Criteria Decision Making 1995 ha? Gunter Fandel? Tomas Gal? Thomas Hanne? Springer? InternationalConferenceonMultipleCriteriaDecisionMaking1995ha? GunterFandel? TomasGal? ThomasHanne? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Business&Investing-Management&Leadership-OperationsResearch? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Science-Mathematics-Applied? 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Subjects-Science-General Subjects-Science-Technology-General&Reference Creation and Transfer of Knowledge Institutions and Incentives Springer? G. Barba Navaretti? P. Dasgupta? K. G. Maler? D. Siniscalco? Springer? G.BarbaNavaretti? P.Dasgupta? K.G.Maler? D.Siniscalco? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-BusinessLife-OrganizationalLearning? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-OrganizationalLearning? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnologyTransfer? Tasks and Methods in Applied Artificial Intelligence 11th International Conference on Industrial and Engineering Applications of Artificial Intelligence and Expert Systems, Iea-98-Aie Benicassim, castell (Lecture Notes in Artificial Intelligence) Springer? Spain) International Conference on Industrial & Engineering Applications of Artificial Intelligence & Expert Systems (11th 1998 Castellon? Angel Pasqual Del Pobil? J. Mira? Moonis Ali? Springer? Spain)InternationalConferenceonIndustrial&EngineeringApplicationsofArtificialIntelligence&ExpertSystems(11th 1998 Castellon? AngelPasqualDelPobil? J.Mira? MoonisAli? ジャンル別? Subjects-Computers&Internet-Networking-DataintheEnterprise-ExpertSystems? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-MachineLearning? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Science-General Subjects-Science-Technology-General&Reference Methodology and Tools in Knowledge-Based Systems 11th International Conference on Industrial and Engineering Applications of Artificial Intelligence and Expert Systems Iea-98-Aie Benicassim, castello (Lecture Notes in Artificial Intelligence) Springer? Jose Mira? Angel Pasqual Del Pobil? Moonis Ali? Springer? JoseMira? AngelPasqualDelPobil? MoonisAli? ジャンル別? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks? Subjects-Computers&Internet-Networking-DataintheEnterprise-ExpertSystems? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-MachineLearning? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics? Subjects-Computers&Internet-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Science-General Subjects-Science-Technology-General&Reference High Performance Computing in Science Engineering '98 Transactions of the High Performance Computing Center Stuttgart (Hlrs) 1998 Springer-Verlag? High-Performance Computing Center? Workshop on High-Performance Computing in Science and Engineering 1998? Egon Krause? Willi Jager? Springer-Verlag? High-PerformanceComputingCenter? WorkshoponHigh-PerformanceComputinginScienceandEngineering1998? EgonKrause? WilliJager? ジャンル別? Subjects-Computers&Internet-Programming-General? Subjects-Engineering-Research? Subjects-Professional&Technical-Engineering-Research? Subjects-Professional&Technical-ProfessionalScience-Mathematics-NumberSystems? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-DiscreteMathematics? Subjects-Science-Education-Research? Subjects-Science-Experiments,Instruments&Measurement-Methodology&Statistics? Subjects-Science-Experiments,Instruments&Measurement-Microscopes&Microsocopy? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-NumberSystems? Subjects-Science-Mathematics-PureMathematics-DiscreteMathematics? Subjects-Science-Technology-General&Reference Space Stations Systems and Utilization Springer? Ernst Messerschmid? Reinhold Bertrand? Springer? ErnstMesserschmid? ReinholdBertrand? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-Physics-Astrophysics? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Computational Models of Speech Pattern Processing (Nato a S I Series Series III, Computer and Systems Sciences) Springer-Verlag? Channel Islands) NATO Advanced Study Institute on Computational Models of Speech Pattern Processing (1997 Saint Helier? North Atlantic Treaty Organization. Scientific Affairs Division? Keith Ponting? Springer-Verlag? ChannelIslands)NATOAdvancedStudyInstituteonComputationalModelsofSpeechPatternProcessing(1997 SaintHelier? NorthAtlanticTreatyOrganization.ScientificAffairsDivision? KeithPonting? ジャンル別? Subjects-Computers&Internet-Software-Business-SpeechProcessing? Subjects-Computers&Internet-Software-VoiceRecognition? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-HumanVision&LanguageSystems? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Computers&Internet-General? Subjects-Computers&Internet-DigitalMusic&ComputerAudio-General? Subjects-Engineering-Telecommunications-General? Subjects-Engineering-Electrical&Electronics-Electronics-AudioTechnology&Engineering? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-AudioTechnology&Engineering? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Acoustics&Sound? Subjects-Science-General Subjects-Science-Physics-Acoustics&Sound? Subjects-Science-Technology-General&Reference The Dynamics of Innovation Strategic and Managerial Implications Springer-Verlag? Klaus Brockhoff? Alok K. Chakrabarti? Jurgen Hauschildt? Springer-Verlag? KlausBrockhoff? AlokK.Chakrabarti? JurgenHauschildt? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-ManagementScience? Subjects-Business&Investing-Management&Leadership-Systems&Planning? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Nonfiction-Economics-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-ManagementScience? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Systems&Planning? Subjects-Science-General Subjects-Science-Technology-General&Reference Optics and Lasers Including Fibers and Optical Waveguides (Advanced Texts in Physics) Springer? Matt Young? Springer? MattYoung? ジャンル別? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Optics? Subjects-Science-Experiments,Instruments&Measurement-ElectronMicroscopes&Microscopy? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Light-Lasers? Subjects-Science-Physics-Optics? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Innovation, Networks and Localities (Advances in Spatial Science) Springer? Manfred M. Fischer? Luis Suarez-Villa? Michael Steiner? Springer? ManfredM.Fischer? LuisSuarez-Villa? MichaelSteiner? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-Urban&Regional? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-Urban&Regional? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Urban&Regional? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geography? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-EarthSciences-Geography-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Nanotechnology? Subjects-Science-Technology-Innovations? Subjects-Science-Technology-Technology&PublicPolicy? Vision Assessment Shaping Technology in 21st Century Society, Towards a Repertoire for Technology Assessment (Wissenschaftsethik Und Technikfolgenbeurteilung, Vol 4) Springer? John Grin? Armin Grunwald? Springer? JohnGrin? ArminGrunwald? ジャンル別? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Nonfiction-SocialSciences-Anthropology? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Subjects-Religion&Spirituality-NewAge-Divination-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? High Speed Jet Flows Fundamentals in Applications Hemisphere Pub? Philip J. Morris? Dennis K. McLaughlin? Ganesh Raman? HemispherePub? PhilipJ.Morris? DennisK.McLaughlin? GaneshRaman? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Domestic Technology A Chronology of Developments G K Hall? Nell Du Vall? GKHall? NellDuVall? ジャンル別? Substores-UnknownASINs-22? Subjects-Home&Garden-How-to&HomeImprovements? Subjects-Parenting&Families-General? Subjects-Reference-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference G.K. Hall Encyclopedia of Modern Technology G K Hall? David Blackburn? Geoffrey Holister? GKHall? DavidBlackburn? GeoffreyHolister? ジャンル別? Substores-UnknownASINs-22? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Rethinking Technologies Univ of Minnesota Pr? Ohio) Miami Theory Collective (Oxford? Verena Andermatt Conley? UnivofMinnesotaPr? Ohio)MiamiTheoryCollective(Oxford? VerenaAndermattConley? ジャンル別? Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-PhilosophyofTechnology? Subjects-Science-Technology-Technology&Society? Rethinking Technologies Univ of Minnesota Pr? Ohio) Miami Theory Collective (Oxford? Verena Andermatt Conley? UnivofMinnesotaPr? Ohio)MiamiTheoryCollective(Oxford? VerenaAndermattConley? ジャンル別? Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? Mapping World Communication War, Progress, Culture Univ of Minnesota Pr? Armand Mattelart? Susan Emanuel? James A. Cohen? UnivofMinnesotaPr? ArmandMattelart? SusanEmanuel? JamesA.Cohen? ジャンル別? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-History-Military-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technoscientific Angst Ethics + Responsibility Univ of Minnesota Pr? Raphael Sassower? UnivofMinnesotaPr? RaphaelSassower? ジャンル別? Substores-UnknownASINs-22? Subjects-Business&Investing-BusinessLife-Ethics? Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-BusinessEthics? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-PhilosophyofTechnology? Technoscientific Angst Ethics + Responsibility Univ of Minnesota Pr? Raphael Sassower? UnivofMinnesotaPr? RaphaelSassower? ジャンル別? Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Digital Sensations Space, Identity, and Embodiment in Virtual Reality (Em-Electronic Mediations) Univ of Minnesota Pr? Ken Hillis? UnivofMinnesotaPr? KenHillis? ジャンル別? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-VirtualReality? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-ComputerScience-Human-ComputerInteraction? Subjects-Literature&Fiction-Books&Reading-OnlineBooks? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Digital Sensations Space, Identity, and Embodiment in Virtual Reality (Em-Electronic Mediations) Univ of Minnesota Pr? Ken Hillis? UnivofMinnesotaPr? KenHillis? ジャンル別? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-VirtualReality? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Appropriating Technology Vernacular Science and Social Power Univ of Minnesota Pr? Ron Eglash? Rayvon Fouche? Jennifer L. Croissant? Giovanna Di Chiro? UnivofMinnesotaPr? RonEglash? RayvonFouche? JenniferL.Croissant? GiovannaDiChiro? ジャンル別? Substores-UnknownASINs-63? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-Technology-General&Reference Appropriating Technology Vernacular Science and Social Power Univ of Minnesota Pr? Ron Eglash? Jennifer L. Croissant? Giovanna Di Chiro? Rayvon Fouche? UnivofMinnesotaPr? RonEglash? JenniferL.Croissant? GiovannaDiChiro? RayvonFouche? ジャンル別? Substores-UnknownASINs-63? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-Technology-General&Reference Cyberculture (Electronic Mediations Series, Volume 4) Univ of Minnesota Pr? Pierre Levy? Robert Bononno? UnivofMinnesotaPr? PierreLevy? RobertBononno? ジャンル別? Substores-UnknownASINs-22? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Computers&Internet-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&Society? Cyberculture (Electronic Mediations Series) Univ of Minnesota Pr? Pierre Levy? Robert Bononno? UnivofMinnesotaPr? PierreLevy? RobertBononno? ジャンル別? Subjects-Computers&Internet-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-Technology-General&Reference Bodies in Technology (Electronic Mediations, V. 5) Univ of Minnesota Pr? Don Ihde? UnivofMinnesotaPr? DonIhde? ジャンル別? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Computers&Internet-ComputerScience-Human-ComputerInteraction? Subjects-Nonfiction-Philosophy-Consciousness&Thought? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-PhilosophyofTechnology? Bodies in Technology (Electronic Mediations, V. 5) Univ of Minnesota Pr? Don Ihde? UnivofMinnesotaPr? DonIhde? ジャンル別? Subjects-Nonfiction-Philosophy-General? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Science-General Subjects-Science-Technology-General&Reference Biomedia (Electronic Mediations, V. 11) Univ of Minnesota Pr? Eugene Thacker? UnivofMinnesotaPr? EugeneThacker? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biotechnology? Subjects-Science-BiologicalSciences-Bioinformatics? Biomedia (Electronic Mediations, V. 11) Univ of Minnesota Pr? Eugene Thacker? UnivofMinnesotaPr? EugeneThacker? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biotechnology? Subjects-Science-BiologicalSciences-Bioinformatics? Residual Media Residual Technologies And Culture Univ of Minnesota Pr? Charles R. Acland? UnivofMinnesotaPr? CharlesR.Acland? ジャンル別? Subjects-Entertainment-PopCulture-General? Subjects-Nonfiction-SocialSciences-PopularCulture? Subjects-Nonfiction-SocialSciences-MediaStudies? Subjects-Science-General Subjects-Science-Technology-General&Reference Residual Media Univ of Minnesota Pr? Charles R. Acland? UnivofMinnesotaPr? CharlesR.Acland? ジャンル別? Subjects-Entertainment-PopCulture-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-PopularCulture? Subjects-Nonfiction-SocialSciences-MediaStudies? Subjects-Science-Technology-General&Reference Guidelines for Safe Storage and Handling of High Toxic Hazard Materials Amer Inst of Chemical Engineers? Richard Levine? AmerInstofChemicalEngineers? RichardLevine? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-CivilService-Firefighting&Prevention? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Heat Transfer Minneapolis, 1991 (Proceedings of the National Heat Transfer Conference) Amer Inst of Chemical Engineers? Salim B. Yilmaz? Brian G. Volintine? AmerInstofChemicalEngineers? SalimB.Yilmaz? BrianG.Volintine? ジャンル別? Subjects-Engineering-Aerospace-HeatTransfer? Subjects-Engineering-Energy-HeatEngineering&Transfer? Subjects-Professional&Technical-Engineering-Aerospace-HeatTransfer? Subjects-Professional&Technical-Engineering-Energy-HeatEngineering&Transfer? Subjects-Science-General Subjects-Science-Technology-General&Reference Guidelines for Chemical Transport Risk Analysis (Center for Chemical Process Safety "Guidelines" Series) Amer Inst of Chemical Engineers? AmerInstofChemicalEngineers? ジャンル別? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Safety? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Safety? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-Safety? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? Subjects-Science-Technology-Safety&Health? Substores-UnknownASINs-jp-unknown2? Evaluating Process Safety in the Chemical Industry A User's Guide to Quantitative Risk Analysis (Ccps Concept Book) Amer Inst of Chemical Engineers? J. S. Arendt? D. K. Lorenzo? AmerInstofChemicalEngineers? J.S.Arendt? D.K.Lorenzo? ジャンル別? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-PlantDesign? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-PlantDesign? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-Safety? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Risks? Subjects-Science-Technology-Safety&Health? Guidelines for Process Safety in Outsourced Manufacturing Operations Amer Inst of Chemical Engineers? AmerInstofChemicalEngineers? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-Chemical-ProcessDynamics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-Chemical-ProcessDynamics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-Safety? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Fifth International Conference on Foundations of Computer-Aided Process Design (Aiche Symposium Series) Amer Inst of Chemical Engineers? International Conference on Foundations of Computer-Aided Process desi? Michael F. Malone? James A. Trainham? Brice Carnahan? AmerInstofChemicalEngineers? InternationalConferenceonFoundationsofComputer-AidedProcessdesi? MichaelF.Malone? JamesA.Trainham? BriceCarnahan? ジャンル別? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-ProcessDynamics? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-ProcessDynamics? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Reference-General? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-Technology-General&Reference Fundamentals and Numerical Modeling of Unit Operations in the Forest Products Industries 1999 Aiche Forest Products Symposium (Aiche Symposium Series) Amer Inst of Chemical Engineers? Forest Products Symposium? Brian N. Brogdon? Steven J. Severtson? Colleen C. Walker? AmerInstofChemicalEngineers? ForestProductsSymposium? BrianN.Brogdon? StevenJ.Severtson? ColleenC.Walker? ジャンル別? Subjects-Engineering-Chemical-UnitOperations&TransportPhenomena? Subjects-Professional&Technical-Engineering-Chemical-UnitOperations&TransportPhenomena? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Making Ehs an Integral Part of Process Design Amer Inst of Chemical Engineers? Arthur D. Little? AmerInstofChemicalEngineers? ArthurD.Little? ジャンル別? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-ProcessDynamics? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-ProcessDynamics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-Safety? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? What Does It Do? Inventions Then and Now (Ready-Set-Read) Heinemann Library? Daniel Jacobs? HeinemannLibrary? DanielJacobs? ジャンル別? Substores-UnknownASINs-22? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-People&Places-Biographies-Science&Technology? Subjects-Science-Technology-General&Reference Lewis Latimer Creating Bright Ideas (Innovative Minds) Heinemann Library? Eleanor H. Ayer? HeinemannLibrary? EleanorH.Ayer? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Children sBooks-History&HistoricalFiction-Biographical? Subjects-Children sBooks-People&Places-Biographies-PeopleofColor? Subjects-Science-Technology-General&Reference The Things We Use (Have You Noticed) Heinemann Library? Sally Hewitt? Jane Rowe? HeinemannLibrary? SallyHewitt? JaneRowe? ジャンル別? Subjects-Children sBooks-Science,Nature&HowItWorks-HowThingsWork? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Technology in the Time of Ancient Egypt (Technology in the Time of) Heinemann Library? Judith Crosher? HeinemannLibrary? JudithCrosher? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-History&HistoricalFiction-Ancient? Subjects-Children sBooks-People&Places-SocialScience-Customs,Traditions,Anthropology? Subjects-Children sBooks-People&Places-SocialScience-General? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technology in the Time of Ancient Rome (Technology in the Time of) Heinemann Library? Robert Snedden? HeinemannLibrary? RobertSnedden? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-History&HistoricalFiction-Ancient? Subjects-Children sBooks-People&Places-SocialScience-Customs,Traditions,Anthropology? Subjects-Children sBooks-People&Places-SocialScience-General? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technology in the Time of Ancient Greece (Technology in the Time of) Heinemann Library? Judith Crosher? HeinemannLibrary? JudithCrosher? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-History&HistoricalFiction-Ancient? Subjects-Children sBooks-People&Places-SocialScience-Customs,Traditions,Anthropology? Subjects-Children sBooks-People&Places-SocialScience-General? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technology in the Time of the Vikings (Technology in the Time of) Heinemann Library? Peter Hicks? HeinemannLibrary? PeterHicks? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-History&HistoricalFiction-Medieval? Subjects-Children sBooks-People&Places-SocialScience-Customs,Traditions,Anthropology? Subjects-Children sBooks-People&Places-SocialScience-General? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-History-Europe? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
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Market Analysis The worldwide Security Assertion Markup Language (SAML) verification market size is relied upon to enroll a dramatic CAGR 14.9% during the gauge time frame. SAML Authentication market to reach USD 2.8 billion by 2026. The SAML confirmation is a normalized technique for validation to demonstrate one s personality and empower admittance to every one of the outside applications and administrations they want to get to. SAML is a bunch of guidelines that empower all web clients to sign in utilizing a web-based interface and consistently access the data or other internet-based administrations without logging in giving qualifications on various occasions. SAML is an open-source XML convention that empowers the trading of data for validation and approval between a personality supplier and specialist organization (normally a cloud or an electronic application). SAML is also referred to with terms like token-based verification, security token administrations, combined confirmation, and personality alliance. It was first delivered by the Organization for the Advancement of Structured Information Standards (OASIS) in 2002. The increment drives the security declaration markup language SAML Authentication market in the requirement for viable administration of mass characters and the ascent popular for a predictable and brought together approach to guarantee the security of personalities. Moreover, the expansion in Internet infiltration and fast advancements in the telecom business expand the utilization of the Internet over cell phones in arising economies. For example, India supports the development of the security affirmation markup language (SAML) verification market. The rising pattern for BYOD is setting out open doors for SAML arrangements and is relied upon to take the SAML Authentication market development to a higher level. In any case, this market development is hampered by the restricted mindfulness in regards to the accessibility of recognizable proof and verification conventions to forestall unapproved venture access. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10472 Market Segmentation By component, the global security assertion markup language (SAML) authentication market has been divided into solution and service. By deployment, the global security assertion markup language (SAML) authentication market has been divided into cloud-based and on-premises segments. Based on vertical, the global security assertion markup language (SAML) authentication market has been divided into BFSI, IT telecom, energy utilities, healthcare, oil gas, manufacturing, retail, and others. The security assertion markup language (SAML) authentication market has been analyzed for five regions—North America, South America, Europe, Asia-Pacific, and the Middle East Africa. Regional Analysis The security affirmation markup language (SAML) verification market is assessed to enlist a remarkable CAGR over the gauge time frame. The geographic investigation of the security declaration markup language (SAML) validation market has been directed for North America, Europe, Asia-Pacific, the Middle East and Africa, and South America. North America is relied upon to enlist the biggest piece of the pie essentially because of the presence of central industry participants. The US is relied upon to lead the market in North America because of the elements, for example, an expansion in the reception of SAML verification arrangements, development in IoT, BYOD pattern in huge and little associations, and an ascent in inner and outer dangers. The European market for security attestation markup language (SAML) confirmation is relied upon to remain at the second situation during the audit time frame chiefly because of the administrative consistence prerequisites and quick monetary development across nations like the UK and Germany. Also, the expanding number of cloud-based administrations are expanding the responsiveness of the data, which, thusly, is helping the market development. Asia-Pacific is relied upon to be the third overwhelming locale as far as taking on security statement markup language (SAML) validation across industry verticals. A few business associations store their delicate data over the cloud, requiring a solid verification framework to deal with character and access the executives. The provincial market has been divided into China, India, Japan, and the remainder of the Asia-Pacific. China is the main nation-level market, while India is projected to be the quickest developing country during the gauge time frame. The Chinese market is relied upon to report the most elevated piece of the pie, attributable to the elements like an enormous number of clients in a venture, making them fundamental for executing SAML validation arrangements and administrations. Moreover, India sees an expansion in its quantity specialist co-ops in the country. Industry News In July 2019, programmers took the individual data of in excess of 106 million individuals from monetary company Capital One - the third-biggest backer of charge cards in the US. Moreover, In August 2018, aggressors took USD 13.5 million from India s Cosmos bank by undermining their monetary frameworks. Key Players The key players in the global security assertion markup language (SAML) authentication market are Thales (France), Ping Identity (US), Amazon Web Services, Inc. (US), Okta (US), Oracle (US), miniOrange Inc. (US), Zoho Corp. (India), OneLogin, Inc. (US), SSO Easy (US), SAASPASS (US), Auth0 Inc. (US), BIO-key International (US), RCDevs (Luxembourg), Ariel Software Solutions Pvt. Ltd. (India), and Microsoft (US). Browse Full Report Details @ https //www.marketresearchfuture.com/reports/security-assertion-markup-language-authentication-market-10472 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report** Passport Radar Market https //www.my-diary.org/edit/a/viewentry/546452249 Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #growth #trend #report #analyis #share #marketing #forecast #digital #geographic #demographic #gnews Plugin Error キーワードを入力してください。 #tech #researchreport #marketreport #futrue
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